2020
“The Last Humans Coming From the Sea— a Review of Tuan Andrew Nguyen’s ‘The Boat People’,” (unpublished, 2020), online at: https://docs.google.com/document/d/1VsTUw_GyPwrnr0gAzuisA1w-jBeb2CjH/edit?usp=sharing&ouid=101966840575356601807&rtpof=true&sd=true.
“Posthuman Cinema and Taoist non-anthropocentrism—Zhou Tao: Winter North Summer South”, in: Press, Times Art Center Berlin (2020), online at: https://www.timesartcenter.org/wp-content/uploads/2020/09/Posthuman-Cinema-and-Taoist-non-anthropocentrismRevision-2.docx.pdf.
2019
“Expulsion and the Gaze,” in: International Awards for Art Criticism (IAAC) 2018-2019 Exhibition Reviews Annual (2019), online at: http://exhibitionreviewsannual.com/iaac-entry/xi-lei/.
“Mischa Kuball: res·o·nant | From ‘Che vuoi?’ to the Murmur of Mirrors,” in: DEEDS (2019), online at: https://www.deeds.world/mischa-kuball-resonant-from-che-vuoi-to-the-murmur-of-mirrors/.
“Wu Tsang: The Dilemma of Hybridity,” in: Ocula yishu zhi yan (2019), online at: https://mp.weixin.qq.com/s/DlJQsamfRfvxYll9NdMa6Q.
“Is a humble art museum the ecosphere of the Amazon?,” in: Scope Yishuke (2019), online at: https://mp.weixin.qq.com/s?__biz=Mzg4ODU3NDE2OA==&mid=2247506655&idx=1&sn=b46bd1dbe1bd8ff13622cdd735ef0656&source=41#wechat_redirect.
“Walid Raad: Kill those artworks,” in: ART FRONTIER (2019), online at: https://mp.weixin.qq.com/s/vx_2K7PtzS467N1IJbUFUg.
2018
“Alex Da Corte: McDonald’s Death Aesthetics, Speed of Light and Silence”, in: ART FRONTIER (2018), online at: https://mp.weixin.qq.com/s/Mucet4TQxLZa_Zb0QWQ_vg.
“Kunsthalle Düsseldorf: Welcome to the Jungle,” in: ART FRONTIER (2018), online at: https://mp.weixin.qq.com/s/5pmLasrOUANmUFiE45otKQ.
“Harun Farocki: tongguo qita fangshi [Harun Farocki: By Other Means],” in: ART FRONTIER (2018), online at: https://mp.weixin.qq.com/s/HzCR3qHxQZT-AG9AH3Gv3g.
“’16 - ’17 Jon Rafman: Dream Journal ‘16 - 1’7,” in: ART FRONTIER (2018), online at: https://mp.weixin.qq.com/s/25BuUq7Dfl3NJwxIl1zaMQ.
“Policeman’s Beard is Half Constructed: Art in the Age of Artificial Intelligence,” in: ART FRONTIER (2018), online at: https://mp.weixin.qq.com/s/xgOrRrfDKhnr40OQim304w.